February 2020
Be Creative (with Work Box) magazine publish our article about our forthcoming exhibition at No 78 Derngate , Northampton opening on 25th April 2020. Here is a pdf from the publisher.
Article from Be Creative. Published on 19/2/20
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Sarah is delighted to have sold her piece "Abandoned" from the Sense of Place and Time exhibition at Milton Keynes Museum.
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Philippa has completed her Blackwork module for the Diploma in Technical Hand Embroidery. She is a waiting for her assessment results. The picture is part of the completed piece - more will follow once the assessment is complete
Sarah has been experimenting with rectangles and creating abstract pieces using the collection of fabrics she dyed and printed while at CQ Summer School with Leah Higgins in the Autumn. One commercial fabric addition complements the collection and has been incorporated into the samples being made towards a larger piece.
Chris : In between spending time stewarding at Art 2 Stitch's exhibition at the Milton Keynes Museum Gallery, Chris has started working on a new piece for the forthcoming exhibition at 78 Derngate. Here is a first glimpse of work in progress.
January 2020
Things have been quiet over the festive season with members taking time out from stitching. We are now working at full steam to be ready for the opening of our exhibition at 78 Derngate, Northampton on 26th April.
We will share some glimpses of the pieces to be exhibited over the next few weeks.
We will share some glimpses of the pieces to be exhibited over the next few weeks.
November 2019
Sally, Chris and Sarah and now exhibiting at Milton Keynes Museum Gallery with a show titled "A Sense of Place and Time" as members of the textile group Art 2 Stitch. The pieces shown are themed from Post WW2 Architecture with fifty miles of our homes, and pieces inspired by locations which have meant something to each of us.
The show is now open and continues until Easter. There is a charge for entry, except on Tuesdays when entry is free. Further details on: http://www.miltonkeynesmuseum.org.uk/a-sense-of-place-and-time-a-new-temporary-textile-exhibition-23rd-nov-2019-to-26th-april-2020/
The show is now open and continues until Easter. There is a charge for entry, except on Tuesdays when entry is free. Further details on: http://www.miltonkeynesmuseum.org.uk/a-sense-of-place-and-time-a-new-temporary-textile-exhibition-23rd-nov-2019-to-26th-april-2020/
October 2019
'all Threaded Together' are delighted to announce that they will be exhibiting at 78 Derngate, Northampton.(the Charles Rennie Mackintosh house) The exhibition will run from 29th April to 18th July 2020.
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Demonstration at Textend
Recently Diana was one of four tutors on a hand stitch teaching day for Textend. Each group of four people spent an hour and a half with each of the tutors. Diana’s theme was herringbone with variations. Some people attending had never tried herringbone, many had tried it as children but not since and a few had used it recently. People were given the choice of working ‘freehand’ on any fabric with any size of stitch or neatly on Aida. Most chose Aida as they wanted to try some of the variations in a controlled way before experimenting and because it was the only ‘neat’ stitch being taught. Diana had two samplers, red and blue below, showing a few of the many ways to enhance simple herringbone. People were encouraged to use a different colour to show how the second row of stitching was applied. Many made exact copies of the samples; some tried experimenting and a few images or their work are shown here. |
Harborough Artists Cluster. In October Diana was invited to give a talk to the Harborough Artists Cluster (HAC) about embroidery and the work of Aspects of Stitch, the Market Harborough branch of the Embroiderers’ Guild. Diana showed some of her own work to illustrate different styles of embroidery, from traditional crewel work to free machine embroidery on a painted fabric background. Most of the time was spent with HAC members looking at Travelling Books from Aspects of Stitch as these contain work from many of its members. It was good to see artists who work in a wide range of media showing an interest in textiles.
In the September section of “Current Activity” on this website is a piece Sarah had in a window as part of HAC’s Artist Windows town wide exhibition. There is more about Travelling books on Diana’s page of this website.
www.harboroughartists.co.uk/
In the September section of “Current Activity” on this website is a piece Sarah had in a window as part of HAC’s Artist Windows town wide exhibition. There is more about Travelling books on Diana’s page of this website.
www.harboroughartists.co.uk/
September 2019
Sarah organised and led the QG Contemporary Quilt Summer School weekend at Hillscourt in Birmingham. Helen Parrott led an autumnal handstitch workshop and Leah Higgins led a colour family workshop. Sarah was lucky to take a late cancellation palce and loved the exploration of colour mixing.
Chris has been working on a piece for the QG Contemporary Quilt Group suitcase challenge 'On The Road'. Her piece 'The Lych Way' maps the medieval 12 mile route for funeral processions used by people living in remote parts of Dartmoor to reach their nearest parish church.
June and Sue have work in the Eastern Region Textile Forum exhibition currently showing in St Albans at their newly refurbished Museum and Art Gallery, Market Place, St Peter Street, St Albans, AL1 3D until Sunday 3 November. 'The Making of a Market Town', curated by Janet Edmonds, showcases a wide variety of original textile art.
Sue's piece is entitled: Bedford: Water, Wool and Lace.
Sue's piece is entitled: Bedford: Water, Wool and Lace.
June's piece is based on Cambridge, the city of her birth.
Sarah is delighted to have "Rosie Apples" featured in Harborough Artists' Windows through her membership of "Aspects of Stitch". This is a month long feature of Market Harborough town centre in September with many artists featured in different shop windows.
August 2019
The summer months of July and August are a quiet time for the group, allowing members to enjoy holidays and some down time. New work is rarely started and only limited progress is made on current work.
We are getting ready for a new start in September with a lot of new work progressing.
We are getting ready for a new start in September with a lot of new work progressing.
March 2019
Sally led us in an exploratory workshop using some of the images we had taken when visiting 78 Derngate in Northampton. (The Rene Mackintosh designed house interiors.)
We worked with Mono printing to create some ideas for work which may flow from our visit to the house. Here a a few images taken on the day.
We worked with Mono printing to create some ideas for work which may flow from our visit to the house. Here a a few images taken on the day.
February 2019
Philippa spent a lovely afternoon at a local primary school as part of their Arts Week. She took an array of work with her and talked to the children about embroidery, applique and quilts.
Sarah reports that she taught a day workshop for 'Aspects of Stitch' in Market Harborough on Saturday on the topic of Abstraction. Attended by seventeen members. She says that it was a lively and thoughtful day with some interesting first attempts created from delegates own images.
January 2019
Sue reports "I had a most enjoyable day at Tate Modern on Saturday. I belong to the Art Fund which gives reduced prices for exhibitions so ‘2 for the price of 1’, I took in the inspiring work of the textile artist, Anni Albers, and then the new exhibition of Pierre Bonnard’s later works with the wonderful title ‘The Colour of Memory’. Anni Albers’ explorations of pattern and line contrasted with Bonnard’s loose painting style and use of intense colour but both proved so interesting with much to inspire and inform”.
to edit."
to edit."
Sarah was asked to deliver a practical workshop to the Textend textiles group . The group who are mainly quilters, meet monthly to develop their skills and augment their techniques. The request was for Oil Stick Paint techniques on fabric.
Sixteen participants explored two stencil techniques and the use of masks to develop areas of colour on fabric.
Sixteen participants explored two stencil techniques and the use of masks to develop areas of colour on fabric.
December
Sarah has been making cushion covers to complement wall hangings for a client.
November
aTT are delighted to welcome new member Chris Marchant. Go to her page for more details about her work
https://www.allthreadedtogether.com/chris-marchant.
https://www.allthreadedtogether.com/chris-marchant.
Sarah demonstrated a couple of techniques for Paper Lamination on Saturday. Working from photocopied images, which would have been more effective if they had been laser printed, we tried adding images below and on top of the organza surface. We also learned that using a polyester organza produces sharper images than nylon.
Using Golden Matte Medium we screen printed the medium onto organza over photocopy.
Using Golden Matte Medium we screen printed the medium onto organza over photocopy.
These were left to dry thoroughly thern iron between baking parchment to set before soaking in cold water to loosed the paper off the back.
The second technique involves painting Golden Matte Medium on the reverse of the image and placing it on the right side of the fabric. Allow to set, press through baking parchment and then use as a piece of fabric. If some of the paper is left without matte medium it can then be torn off to give a partial image on the fabric.
October
Additions have been made to the Current Work folders for June and Diana
September:
Philippa
The weekend of 22nd and 23rd September is "Open House London". The Royal School of Needlework opened its doors at Hampton Court Palace and I volunteered to spend a morning there demonstrating Jacobean Crewel Work to visiting members of the public. So lovely to share your passion with people.
The weekend of 22nd and 23rd September is "Open House London". The Royal School of Needlework opened its doors at Hampton Court Palace and I volunteered to spend a morning there demonstrating Jacobean Crewel Work to visiting members of the public. So lovely to share your passion with people.
Sally and Sarah exhibit at Milton Keynes Literary Festival:
As members of Art to Stitch Sally and Sarah were invited to exhibit literary themed textile pieces in this weekend long show. Works made in response to a quotation from a book common to all members and individual literary related quilts were shown. Here are two of their literary related pieces.
As members of Art to Stitch Sally and Sarah were invited to exhibit literary themed textile pieces in this weekend long show. Works made in response to a quotation from a book common to all members and individual literary related quilts were shown. Here are two of their literary related pieces.
Sarah Sally
New Member welcomed:
Sally Hutson joins all Threaded Together. Sally's original and exciting work can be found on http://www.stitchywoowoo.co.uk/art-quilts.php. Her members page is in preparation, to loaded soon.
Here is a flavour of her work:
Sally Hutson joins all Threaded Together. Sally's original and exciting work can be found on http://www.stitchywoowoo.co.uk/art-quilts.php. Her members page is in preparation, to loaded soon.
Here is a flavour of her work:
The group sets new Challenge:
The theme for our challenge is "DECAY"
Group members are free to interpret this word in any way that they choose with the following constraints:
The finished piece should be 30cm x 50cm Landscape orientation. This piece may then be finished in any way that the artist chooses.
A number of photograph were considered as possible starting points, the following image was circulated as it was of interest to a number of members.
Group members are free to interpret this word in any way that they choose with the following constraints:
The finished piece should be 30cm x 50cm Landscape orientation. This piece may then be finished in any way that the artist chooses.
A number of photograph were considered as possible starting points, the following image was circulated as it was of interest to a number of members.
Tracy
I am easing myself back into it by turning the scraps shown below into a vibrant strip quilt. My goal is to spend the next year of creating using only fabrics, materials and supplies I already own - and I have plenty.
I am easing myself back into it by turning the scraps shown below into a vibrant strip quilt. My goal is to spend the next year of creating using only fabrics, materials and supplies I already own - and I have plenty.
Philippa
I have been asked to make a "Fidget Quilt" for someone with dementia. These quilts are really quite small - mine is 21 inches by 16 inches. I concentrated on touchy feely items for fiddling with. Sometimes these quilts include memory items and pictures for people - more of a challenge if you don't know where yours will be going - and to whom (as is the case with me). It was good fun searching for the bits and pieces and it should be robust and washable.
I have been asked to make a "Fidget Quilt" for someone with dementia. These quilts are really quite small - mine is 21 inches by 16 inches. I concentrated on touchy feely items for fiddling with. Sometimes these quilts include memory items and pictures for people - more of a challenge if you don't know where yours will be going - and to whom (as is the case with me). It was good fun searching for the bits and pieces and it should be robust and washable.
Sarah
Taking a break from my usual work to enjoy the freedom of 'just making'. A collection of indigo and kola nut fabrics from the African Fabric Shop and a piece of hand dyed fabric from Jo Lovelock was just too gorgeous not to play with. I've used a simple irregular grid and squares and rectangles of fabric some of which have been pieced. The top is now complete and I've sandwiched up the quilt ready for quilting. I've loved doing this!
For details of how I've done this visit:
Taking a break from my usual work to enjoy the freedom of 'just making'. A collection of indigo and kola nut fabrics from the African Fabric Shop and a piece of hand dyed fabric from Jo Lovelock was just too gorgeous not to play with. I've used a simple irregular grid and squares and rectangles of fabric some of which have been pieced. The top is now complete and I've sandwiched up the quilt ready for quilting. I've loved doing this!
For details of how I've done this visit:
July
Philippa Laughton - RSN Prize winner
Philippa Laughton went to Hampton Court Palace on Monday 2nd July to attend the 2018 award ceremony for the Certificate and Diploma students at the Royal School of Needlework. Philippa passed the Certificate in Technical Hand Embroidery with Merit. In addition, Philippa was thrilled to receive a prize. She was the winner of the Wendy Hogg Prize which recognises the student with best overall marks for Mounting.
During that week the students work was exhibited at the Palace and Philippa's Canvas Work featured in the publicity.
The photographs show Philippa with her lead tutor, Rachel, Philippa's certificate for her prize (she got a cheque as well) and the publicity promotion for the exhibition.
During that week the students work was exhibited at the Palace and Philippa's Canvas Work featured in the publicity.
The photographs show Philippa with her lead tutor, Rachel, Philippa's certificate for her prize (she got a cheque as well) and the publicity promotion for the exhibition.
Diana Sharvill and Sarah Showers exhibited at Market Harborough Artist's Cluster Exhibition May 2018
Diana Sharvill and Sarah Showers exhibited with "Aspects of Stitch" in central Market Harborough. Work that had been created for the 'Contrasts' exhibition was shown.
June Jessop : Eastern Region Textile Forum
Our member, June Jessop, is very pleased to have had a textile piece accepted for the forthcoming exhibition of work by members of the Eastern Region Textile Forum. The theme of the show is 'Kaleidoscope' and the exhibits were selected by textile artist Janet Edmonds. The exhibition runs from 28th March to 21st April 2018 at the Michaelhouse Cafe and Gallery, Trinity Street, Cambridge from 8am to 5pm with free entry.
June says:
This is a picture of my Kaleidoscope piece in it's early stages: the background is heavy cotton onto which I'd quite literally thrown remains of dye after a dyeing session in the garden a couple of years ago. At the ERTF Conference in Spring 2016 we were asked for a suggested theme for this year's juried exhibition and the majority decision was for Kaleidoscope: many of the group weren't enamoured with this idea however, but I immediately thought of my dyed piece and that it would lend itself very well to the theme. I've embellished it with stitch, organzas, sequin waste, shisha mirrors, and other glittery bits to represent the multi-coloured patterns and sparkle in a kaleidoscope.
June says:
This is a picture of my Kaleidoscope piece in it's early stages: the background is heavy cotton onto which I'd quite literally thrown remains of dye after a dyeing session in the garden a couple of years ago. At the ERTF Conference in Spring 2016 we were asked for a suggested theme for this year's juried exhibition and the majority decision was for Kaleidoscope: many of the group weren't enamoured with this idea however, but I immediately thought of my dyed piece and that it would lend itself very well to the theme. I've embellished it with stitch, organzas, sequin waste, shisha mirrors, and other glittery bits to represent the multi-coloured patterns and sparkle in a kaleidoscope.
Exhibiting at The Big Textile Show : Leicester Racecourse : 28 /29 October 2017
Following her 'Abstraction' day teaching with Textend earlier in the year. Sarah has been asked to show two pieces which show the finished abstraction process. Dunstanburgh Beach is an abstraction from a photograph taken at dawn while 'Levels' is an attempt to show the inundation of the Somerset Levels several years ago. An area Sarah is very familiar with from childhood.
Following her 'Abstraction' day teaching with Textend earlier in the year. Sarah has been asked to show two pieces which show the finished abstraction process. Dunstanburgh Beach is an abstraction from a photograph taken at dawn while 'Levels' is an attempt to show the inundation of the Somerset Levels several years ago. An area Sarah is very familiar with from childhood.
Sarah Showers: Exhibiting at all ICHF shows for twelve months
Sarah is delighted that "Fire and Ice" will be exhibited in the Elements Gallery at all ICHF shows from October 2017 until September 2018. This is a good example of her use of hand stitching to create textured background. This was the first time she employed this technique and it's now a key feature of her work.
Philippa Laughton : RSN 30 Year Anniversary Exhibition : 2017
Philippa Laughton was delighted that her peach and gold coloured silk shading embroidery was selected by the Royal School of Needlework (RSN) to be part of their current exhibition at Hampton Court Palace. The exhibition is to celebrate the 30 year anniversary of the RSN at the Palace and is open until 13 August. Entrance to the exhibition is included in the price of entry to the Hampton Court Palace. Here is Philippa next to the showcase that features her peach and gold lily.
Diana Sharvill : Painted Bondaweb Workshop
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In March 2017 Diana Sharvill ran a day workshop for nineteen members of Textend at North Kilworth in Leicestershire on the topic “Painted Bondaweb”. Diana showed how using different colouring media, such as silk paint or acrylic, and different techniques for applying the Bondaweb to fabric, can give different effects. She demonstrated some techniques for people to try before everyone had a go for themselves. Some people were very organised and produced a range of well labelled samples for future reference. Others tried a few ideas then, having found something they liked, used the technique to produce a piece they could stitch into later. A few used fine layers of painted Bondaweb, removed from its backing paper and torn into interesting shapes, to add to previous textile pieces. In July Diana will be back with Textend helping to run a workshop on traditional embroidery techniques. |
Sabi Westoby : Monoprinting Workshop
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I ran a workshop on monoprinting with a gelli plate - many of the participants owned the plate but hadn't ever taken it out of the packaging! It was a successful day with some beautiful work produced, much of which could well be the inspiration for stitched pieces.
I always have a sketchbook next to me when monoprinting - once the paint has been applied to the plate the roller needs to be cleaned, so rather than roll the paint off onto scrap paper I roll it onto a sketchbook page. These pictures show some of the coloured pages created by cleaning the roller. |
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Teaching beginners 'Abstraction' workshop
Sarah Showers enjoyed teaching a Saturday workshop for 'Textend' at the end of January. The structured programme was designed to help quilters and embroiders take concrete images and produce an abstract piece that reflects and reminds them of the original image.
As an introduction members were invited to quantify the amount of each colour in an image and very simply use fabric strips to reflect the colours.The following photograph from show these first steps taken to explore abstraction.
As an introduction members were invited to quantify the amount of each colour in an image and very simply use fabric strips to reflect the colours.The following photograph from show these first steps taken to explore abstraction.
School Visit : Philippa Laughton
Philippa Laughton had a lovely morning at a local infants' school on Monday 13th March 2017. She was taking part in the school's Arts Week where a variety of artists are invited to the school to demonstrate all sorts of different art forms. Philippa showed them some patchwork and quilting and traditional hand embroidery. Philippa said the children were delightful and particularly taken with her hexagon English patchwork.
TEXTILES EAST FAIR 2017 : June Jessop and Sue King
Textiles East Fair is a new two-day event which has taken the place of Textiles in Focus. This had run successfully at Cottenham Village College and subsequently Camborne Village College for a number of years. For 2017 the event had a new organiser and a new venue – Swavesey Village College, near Cambridge.
Members of The Eastern Region Textile Forum (ERTF) were invited to mount an exhibition for this event on the theme of ‘Diversity’. ERTF , launched in 2008, is a proactive group run by members with the aim of taking textiles forward into the mainstream of 21st century art. Textile Artists of all disciplines in the Eastern region can come together to create, exhibit, sell and network. Thus, this exhibition would showcase the variety of work done by members of the Forum. A total of some 50 exhibits, including several of our pieces, were displayed showing work with hand-dyed and painted fabrics, contemporary lace, felt, hand and machine embroidery and quilting. Inspiration was drawn from a variety of sources and included the site-specific work made for an exhibition at Denny Abbey and Farm Museum near Cambridge in 2015.
Apart from the Exhibition, there was a Demonstration Hub, where it was possible to have ‘hands on’ experience of felting small animals, creating sketchbooks, goldwork, making tiny sheep, and patchwork. There was also a small virtual studio where two artists demonstrated various ways of adding and discharging colour from cloth.
A number of rooms in the college were given over to traders, where one could purchase silks and wools, some hand-dyed or spun by the vendors, plus fabrics, beads, general art supplies, books, carved wooden stamps etc. There were also a number of organisations offering information on courses and workshops.
The excellent catering facilities provided the necessary refreshment and welcome pauses to sit and assess the works seen and purchases made.
The show seemed to be very successful and it is expected that it will be run in February again next year.
Members of The Eastern Region Textile Forum (ERTF) were invited to mount an exhibition for this event on the theme of ‘Diversity’. ERTF , launched in 2008, is a proactive group run by members with the aim of taking textiles forward into the mainstream of 21st century art. Textile Artists of all disciplines in the Eastern region can come together to create, exhibit, sell and network. Thus, this exhibition would showcase the variety of work done by members of the Forum. A total of some 50 exhibits, including several of our pieces, were displayed showing work with hand-dyed and painted fabrics, contemporary lace, felt, hand and machine embroidery and quilting. Inspiration was drawn from a variety of sources and included the site-specific work made for an exhibition at Denny Abbey and Farm Museum near Cambridge in 2015.
Apart from the Exhibition, there was a Demonstration Hub, where it was possible to have ‘hands on’ experience of felting small animals, creating sketchbooks, goldwork, making tiny sheep, and patchwork. There was also a small virtual studio where two artists demonstrated various ways of adding and discharging colour from cloth.
A number of rooms in the college were given over to traders, where one could purchase silks and wools, some hand-dyed or spun by the vendors, plus fabrics, beads, general art supplies, books, carved wooden stamps etc. There were also a number of organisations offering information on courses and workshops.
The excellent catering facilities provided the necessary refreshment and welcome pauses to sit and assess the works seen and purchases made.
The show seemed to be very successful and it is expected that it will be run in February again next year.
SAQA - Sabi Westoby
Our member Sabi Westoby's piece, depicting the concrete brutalist architecture of the National Theatre on London's Southbank, was selected by the Studio Art Quilts Associates for a touring exhibition of venues in the USA and Europe. The exhibition, Made in Europe, shows the work of textile artists living and working in Europe and the Middle East.
Sabi says: This piece was inspired by photographs taken at the Southbank Centre, and the National Theatre in particular. I mono printed fabrics in greys, blacks and whites and cut out the relevant shapes, fusing them onto the backing fabric. Machine stitch and paint sticks gave further colour and texture.